Opening Up Of a Day Care Center Essay Example | Topics and Well Written Essays - 1500 words

Opening Up Of a Day Care Center - Essay Example This paper illustrates that some businesses specify the ages of children they can handle. If both parents are working, who will take care of the children? Child care center is the valuable instrument for child’s development because they learn social skills and gain the appreciation for education at an early age. According to research, brains of children grow faster during the first five years of their life. These facts dramatize the need for a daycare center to answer the growing needs of parents and children. As the number of parents entering the workforce grows, the amount available and quality child care facilities in many parts of USA becomes inadequate. In particular, this daycare center is proposed to be a home-based business and will take care of 4 to 10 children who will come on a whole day basis and another 10 toddlers who will also come as drop-ins. A portion of our house will be remodeled for the daycare business. It will be a modest start of operation since my capi tal is limited. The center is open from 6:00 am. to 8:00 pm. for 365 days a year. This time coincides with business hours of employment. The operation will be whole year round, because of parent’s time requirement. Parents can drop their children before going to work, and then pick them up in the afternoon. The daycare center can also accept half day caring to accommodate the schedule of busy parents. Come-ons for children will be the children inspired decorations of the nursery, or maybe children’s toys or books. A contract will be issued that covers the guidelines of the school so parents will understand the responsibility of the school and its limitations. The picture in the paper is a sample of a daycare center that is proposed. Pricing guideline is $100-200 week per child, $30-40 per day for infant care, and $20, and $30 for a full day. Since this guideline was done in 1993, pricing will necessarily adjust for costs of inflation, say, 10%.

Piano Concerto No. 17 Essay Example | Topics and Well Written Essays - 1750 words

Piano Concerto No. 17 - Essay Example Afterwards, von Ployer was joined by Mozart in a performance of the Sonata for Two Pianos, K. 448.The finale is a set of variations on what Alfred Einstein has described as a birdlike theme and there is indeed a tale that Mozart's own starling whistled the tune.In his early Vienna years, Mozart met Joseph Haydn and the two composers became friends. When Haydn visited Vienna, they sometimes played together in an impromptu string quartet. Mozart's six quartets dedicated to Haydn (K. 387, K. 421, K. 428, K. 458, K. 464, and K. 465) date from 1782-85, and are often judged to be his response to Haydn's Opus 33 set from 1781. In a letter to Haydn, Mozart wrote: A father who had decided to send his sons out into the great world thought it his duty to entrust them to the protection and guidance of a man who was very celebrated at the time, and who happened moreover to be his best friend. In the same way I send my six sons to you... Please then, receive them kindly and be to them a father, guide, and friend!... I entreat you, however, to be indulgent to those faults which may have escaped a father's partial eye, and in spite of them, to continue your generous friendship towards one who so highly appreciates it."[4] Haydn was soon in awe of Mozart, and when he first heard the last three of Mozart's series he told Leopold, "Before God and as an honest man I tell you that your son is the greatest composer known to me either in person or by name: He has taste, and, furthermore, the most profound knowledge of composition." Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment. The central traits of the classical style can all be identified in Mozart's music. Clarity, balance, and transparency are hallmarks, though a simplistic notion of the delicacy of his music obscures for us the exceptional and even demonic power of some of his finest masterpieces, such as the Piano Concerto No. 24 in C minor, K. 491, the Symphony No. 40 in G minor, K. 550, and the opera Don Giovanni. The famed writer on music Charles Rosen has written (in The Classical Style): "It is only through recognizing the violence and sensuality at the center of Mozart's work that we can make a start towards a comprehension of his structures and an insight into his magnificence. In a paradoxical way, Schumann's superficial characterization of the G minor Symphony can help us to see Mozart's daemon